» beginning bibliography (music and copyright law) marxism and cultural studies

Bishop, Jack. Building International Empires of Sound: Concentrations of Power and Property in the ‘Global’ Music Market. Popular Music and Society 28.4 (Oct 2005): 443-71. Online Resource.
Bishop, Jack. Who Are the Pirates? The Politics of Piracy, Poverty, and Greed in a Globalized Music Market. Popular Music and Society 27.1 (Feb 2004): 101-06.

Demers, Joanna. Online Resource. Steal this music: How academician holdings law affects melodic creativity.

Athens above all: University of Georgia Press, 2006.
Jones, Richard.
McLeod, Kembrew. Technology and the Cultural Appropriation of Music. International Review of Law, Computers & Technology 23.1 (Mar 2009): 109-122. Owning suavity: authorship, ownership, and academician holdings law.

Westport, Conn. above all: Praeger, 2001. (ed.).
Miller, Paul D. Sound Unbound: Sampling Digital Music and Culture. The M.I.T.

Press: Cambridge, 2008. Music and Copyright.
Rosen, Ronald S. Washington above all: U.S.

G.P.O., 2008.
Scherzinger, Martin Rudolph. Online Resource
Vaidhyanathan, Siva. Music, Spirit Possession and the Copyright Law: Cross-Cultural Comparisons and Strategic Speculations. Yearbook in Rather occupancy of Traditional Music 31.1 (1999): 102-25. Unoriginal Sins: Copyright and American Culture. Diss. UT Austin: 1999.

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